Blog Archives

Abbie Barrett covers Walter Sickert

Mixed by Pat DiCenso and released to the images of a General Motors extended advertisement 1950s, Barrett’s cover of Walter Sickert’s Atom Bomb is self described as “the Jetsons meets dystopia.” Check out Vanyaland’s write up to find out about

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Tanya Donelly – Swan Song Series

New England native Tanya Donelly’s most recent release, Swan Song Series, contains more than five volumes of new music recorded and mixed at Q Division in addition to other locations.  Tooraloo (Bonus Tracks), tracked and mixed by Rafi Sofer (additional tracking by

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Abbie Barrett – That Shame

That Shame, Abbie Barrett’s most recent album, was produced by Ed Valauskas and recorded and mixed by Pat DiCenso at Q’s Studio A.  Layers of distorted guitars paired with punchy drums provide high-octane backdrops for Abbie’s attitude-driven voice and rebellious,

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Peter Buzzelle – Devil Love

Peter Buzzelle And The Academy’s September release, Devil Love is filled with crunchy guitars, driving drums and carefree, fun lyrics. Tracked at both 1867 and Q, and mixed by James Bridges in Studio A, this outing finds PB and his

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Pale Monsters – Take What You Can Take

Take What You Can Get is the debut release from Boston-based Indie Rock band, Pale Monsters.  Fronted by Chris Mulvey, former member of Muy Cansado, Pale Monsters finds Mulvey’s signature songwriting style in a new musical outfit.  Produced by Jon Lupfer and

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Parlour Bells – Never Let ‘Em Hold Ya Back

Never Let ‘Em Hold Ya Back marks the beginning of a new phase of Boston-based glam rock band, Parlour Bells.  Fronted by Goddamn Glenn, Parlour Bells’ newest single delivers a high-energy vocal performance paired with an infectious groove, powerful horns

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Tabari Lake – Locked Away (R. City)

Saint Thomas native Tabari Lake performs a beautiful rendition of Locked Away by R. City in Studio A, with stunning three part vocal harmony and tight instrumental support.

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Mother Ton – Earthbound

Mother Ton sheds some light on their atmospheric, spacey, and extremely groovy sound in their song “Earthbound.” With their super smooth horn arrangements and colorful vocal production, it’s a “no-holds-barred” sound thanks to seamless sectional transitions and some of Studio

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Adora Makokha – Yellow Submarine

Berklee comes back to Q Division for a different and sunny take on “Yellow Submarine.” With some help from one of our engineers, James Bridges (and accompanied by an adorable animation by Nicholas Bertholet), it features Berklee student Adora Makokha

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Berklee Indian Ensemble ft. Armeen Musa – Jaago Piya

Berklee dips into Q Division studio A to accommodate all the different sounds and personalities of the Berklee Indian Ensemble to release “Jaago Piya” on the auspicious occasion of Bangla Noboborsha, the first day of the Bengali Calendar year 1423.  

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Abbie Barrett – Take it in Stride

It’s what happens when you take the burning talent of Abbie Barrett and the production (and bass) skills of Q Division’s studio manager, Ed Valauskas – Take it in Stride is a whiplash of a record, and tight doesn’t even

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Berklee Sessions – Hal Crook – Behind These Eyes

We host recording/filming sessions for Berklee that result in wild performances. Check out as Hal Crook brings some tight, uplifting grooves into Studio A as he and his band perform his original composition “Behind These Eyes” – featuring some soulful

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John Stiles feat. Rachel Siegel – Under the Bridge (Red Hot Chili Peppers)

Filmed and recorded in Studio A, this production features a modern version of Under the Bridge by the Red Hot Chili Peppers. With a vibrant and colorful fusion atmosphere mixed in, this song highlights the songwriting of RHCP by giving

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Karmin – Didn’t Know You

Karmin brings a sassy and incredibly dynamic live arrangement of her song “Didn’t Know You” into Q Division’s very own Studio A. Also, looks like she brought her pooch; who’s a good dog? 

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David Duchovny – Hell or Highwater

Singer/Songwriter and actor David Duchovny dips into Q Division for the recording of one of his lyric videos, “Hell or Highwater.” With production assistance by Colin Lee, David combines elements of folk rock and country to blend together a polished

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